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| Twelve-year-old Koichi lives with his mother and retired grandparents in Kagoshima, in the southern region of Kyushu, Japan. His younger brother Ryunosuke lives with their father in Hakata, northern Kyushu. The brothers have been separated by their parents' divorce and Koichi's only wish is for his family to be reunited. When he learns that a new bullet train line will soon open, linking the two towns, he starts to believe that a miracle will take place the moment these new trains first pass each other at top speed. With help from the adults around him, Koichi sets out on a journey with a group of friends, each hoping to witness a miracle that will improve their difficult lives. |
| HYSTERIA, a mischievously inspired romantic comedy set in the late 19th century, is based on the surprising truth of how Mortimer Granville came up with the world's first electromechanical vibrator in the name of medical science. The film stars Academy Award nominee Maggie Gyllenhaal and Hugh Dancy, alongside Jonathan Pryce, Rupert Everett and Felicity Jones. |
| Mary Shelley's classic tale, adapted for the stage by Nick Dear and directed by Danny Boyle, will be broadcast live in HD from the National Theatre to cinemas around the world. Childlike in his innocence but grotesque in form, Frankenstein's bewildered creature is cast out into a hostile universe by his horror-struck maker. Meeting with cruelty wherever he goes, the friendless Creature, increasingly desperate and vengeful, determines to track down his creator and strike a terrifying deal. Benedict Cumberbatch and Jonny Lee Miller will alternate the roles of Victor Frankenstein and the Creature. |
| From the team that brought you "YOU GOT SERVED" comes a young Hip-Hop dance battle movie for a new generation of dance. Battlefield America takes a steady look at the underbelly of the youth battle dance culture in Long Beach, California. Sean Lewis, a young, charismatic, successful businessman finds himself in the mix with a bunch of disheveled misfits Bad Boys, who have virtually no dance talent. Realizing his dilemma, Sean brings aboard a professional dance instructor to ease his responsibilities to these kids. Meanwhile, he finds himself falling for Sara, who runs the community center where the kids hangout and practice their moves. With Sean motivating them, The Bad Boys find the confidence to be contenders... |
| For years, George Needleman (Levy), the gentle CFO of a Wall Street investment bank, has been living with his head in the clouds. His frustrated second wife, Kate (Richards), has reached her limit taking care of his senile mother, Barbara (Roberts). His teenage daughter, Cindy (Danielle Campbell), is spoiled beyond hope and his seven-year-old son, Howie (Devan Leos), wishes his father were around more. But George is finally forced to wake up when he learns that his firm, Lockwise Industries, has been operating a mob-backed Ponzi scheme--and that he's been set up as the fall guy. |
| Peter Berg (Hancock) produces and directs Battleship, an epic-scaled action-adventure that unfolds across the seas, in the skies and over land as our planet fights for survival against a superior force. Inspired by Hasbro's classic naval combat game, Battleship stars Taylor Kitsch as Lt. Alex Hopper, a Naval officer assigned to the USS John Paul Jones; Brooklyn Decker as Sam Shane, a physical therapist and Hopper's fiancee; Alexander Skarsgard as Hopper's older brother, Stone, Commanding Officer of the USS Sampson; Rihanna as Petty Officer Raikes, Hopper's crewmate and a weapons specialist on the USS John Paul Jones; and international superstar Liam Neeson as Hopper and Stone's superior (and Sam's father), Admiral Shane. |
| From Jay and Mark Duplass, the writer/directors of the Sundance hits "The Puffy Chair," "Cyrus" and the upcoming "Jeff Who Lives at Home" comes "The Do-Deca-Pentathlon," the story of two grown brothers who secretly compete in a homemade Olympics during a family reunion. When their fierce and disruptive competition is uncovered, the brothers must choose between their passion for beating the hell out of each other and the greater good of the family. |
| Martin Blake (Orlando Bloom) is an ambitious but anxious young doctor, eager to impress his superiors and colleagues: Chief Resident Waylans (Rob Morrow), self-assured fellow intern Dan (Troy Garity) and no-nonsense nurse Theresa (Taraji P. Henson). But things are not going Martin's way and he can't seem to shake off his insecurities. When 18-year-old patient Diane (Riley Keough) is admitted for a kidney infection, Martin steps in, getting the much-needed boost of self-esteem he craves. But things take a dark turn as his enthusiasm begins to become an obsession. |
| The heroic story of a North African dictator who risks his life to ensure that democracy would never come to the country he so lovingly oppressed. |
| Ridley Scott, director of "Alien" and "Blade Runner," returns to the genre he helped define. With PROMETHEUS, he creates a groundbreaking mythology, in which a team of explorers discover a clue to the origins of mankind on Earth, leading them on a thrilling journey to the darkest corners of the universe. There, they must fight a terrifying battle to save the future of the human race. |
| Dino is a pet cat that leads a double life. By day he lives with Zoe, a little mute girl whose mother, Jeanne, is a detective in the Parisian police force. But at night he sneaks out the window to work with Nico--a slinky cat burglar with a big heart, whose fluid movements are poetry in motion--as he evades captors and slips and swishes from rooftop to rooftop across the Paris skyline. The cat's two worlds collide when young Zoe decides to follow Dino on his nocturnal adventures--and falls into the hands of Victor Costa, a blustery gangster planning the theft of a rare statue. Now cat and cat burglar must team up to save Zoe from the bumbling thieves, leading to a thrilling acrobatic finale on top of Notre Dame. |
| From America's greatest beardsman, to Morgan Spurlock's own mustache, Executive Producers Will Arnett, Jason Bateman and Ben Silverman bring us a hilarious look at men's identity in the 21st century. Models, actors, experts and comedians weigh in on what it is to be a man in a world where the definition of masculinity has become as diverse as a hipster's facial hair in Williamsburg. The hilarious follicles of men's idiosyncratic grooming habits are thoroughly combed over as men finally take a long hard look in the mirror. |
| In May of 2011, Neil Young drove a 1956 Crown Victoria from his idyllic hometown of Omemee, Ontario to downtown Toronto's iconic Massey Hall where he intimately performed the last two nights of his solo world tour. Along the drive, Young recounted insightful and introspective stories from his youth to filmmaker Jonathan Demme. Demme, a long-time fan and collaborator, captured these tales of Young's childhood and masterfully weaved them together with his mesmerizing music including songs from the 2010 album Le Noise and powerful renditions of classics including "Ohio", Hey Hey, My My", "I Believe in You" and previously unreleased songs "Leia" and "You Never Call." Through the tunes and the tales, Demme portrays a personal, retrospective look into the heart and soul of the artist. |
| From America's greatest beardsman, to Morgan Spurlock's own mustache, Executive Producers Will Arnett, Jason Bateman and Ben Silverman bring us a hilarious look at men's identity in the 21st century. Models, actors, experts and comedians weigh in on what it is to be a man in a world where the definition of masculinity has become as diverse as a hipster's facial hair in Williamsburg. The hilarious follicles of men's idiosyncratic grooming habits are thoroughly combed over as men finally take a long hard look in the mirror. |
| The Man (Adkins) crosses into Mexico with a satchel of $2,000,000, cash, a bloody past, and a plan to live out his remaining days on a beach. Instead, he gets stuck waiting for a bus in El Fronteras, a sleepy desert town that's so uninviting that - forget about the ocean - he can hardly find a glass of water. Then, word of his money spreads to the El Fronteras underworld. Under sudden attack from corrupt cops, gangsters, and desperados, the Man must push back his retirement plans, lock and load, and save sleepy El Fronteras through a dizzying display of spectacular gunfights. |
| On the same night that he was crowned an NCAA wrestling champion, Dillon McCabe (Wes Chatham) was involved in the killing of a cop and then sentenced to fifteen years of prison. Ten years later, Dillon is paroled back onto the streets of his run-down Baton Rouge neighborhood. Before he can pick up the pieces of his life, his best friend gets in trouble with a vicious loan shark. To get the money to free him, Dillon must return to fighting - this time, mixed martial arts. But his quick, brutal success gets him into more trouble than ever. And after three vicious triumphs, he discovers that his real opponent is a corrupt system that requires him to do the impossible: lose. |
| Kumare is a wise guru from the East who indoctrinated a group of followers in the West. Kumare, however, is not real--he is the alter ego of American filmmaker Vikram Gandhi, who impersonated a spiritual leader for the sake of a social experiment designed to challenge one of the most widely accepted taboos: that only a tiny "1%" can connect the rest of the world to a higher power. Concealing his true identity from everyone he meets, Kumare forges profound and spiritual connections with people from all walks of life. At the same time, in the absurdity of living as an entirely different person, Vikram, the filmmaker, is forced to confront difficult questions about his own identity. At the height of his popularity, Kumare unveils his true identity to a core group of disciples who are knee-deep in personal transformation. Will they accept his final teaching? Can this illusion reveal a greater spiritual truth? KUMARE, at once playful and profound, is an insightful look at faith and belief. |
| From the producers of Little Miss Sunshine - When an unusual classified ad inspires three cynical Seattle magazine employees to look for the story behind it, they discover a mysterious eccentric named Kenneth, a likable but paranoid supermarket clerk, who believes hes solved the riddle of time travel and intends to depart again soon. Together, they embark on a hilarious, smart, and unexpectedly heartfelt journey that reveals how far believing can take you. |
| From DreamWorks Pictures comes "People Like Us," a drama/comedy about family, inspired by true events, starring Chris Pine ("Star Trek") as Sam, a twenty-something, fast-talking salesman, whose latest deal collapses on the day he learns that his father has suddenly died. Against his wishes, Sam is called home, where he must put his father's estate in order and reconnect with his estranged family. In the course of fulfilling his father's last wishes, Sam uncovers a startling secret that turns his entire world upside down: He has a 30-year-old sister Frankie whom he never knew about (Elizabeth Banks). As their relationship develops, Sam is forced to rethink everything he thought he knew about this family--and re-examine his own life choices in the process. |
| The ubiquitous pink ribbons of breast cancer philanthropy--and the hand-in-hand marketing of brands and products associated with that philanthropy--permeates our culture, providing assurance that we are engaged in a successful battle against this insidious disease. But the campaign obscures the reality and facts of breast cancer: more and more women are diagnosed with breast cancer every year, and they face the same treatment options they did 40 years ago. Yet women also are the most influential market group, buying 80 percent of consumer products and making most major household purchasing decisions. So then who really benefits from the pink ribbon campaigns - the cause or the company? And what if the very companies and products that profit from their association have actually contributed to the problem? |
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